Matt Blackwell is a distinguished contemporary artist whose work has garnered attention across various exhibitions and collections. With a rich educational background and a series of prestigious awards, Blackwell’s artistic journey reflects a deep engagement with painting and sculpture, showcasing his unique perspective on the world.
Blackwell received his Bachelor of Fine Arts (BFA) from the Portland School of Art in Maine and further honed his skills at the Skowhegan School of Painting and Sculpture. He later earned a Master of Fine Arts (MFA) from the University of North Carolina, Greensboro, in 1988. This solid foundation in art education paved the way for his exploration of various mediums and themes throughout his career.
Over the years, Blackwell has participated in numerous solo and group exhibitions, establishing himself as a prominent figure in the art community. His solo exhibitions include notable shows such as “Worry Later” at Cove Street Arts in Portland, Maine (2022), and “Southwest by Northeast” at Edward Thorp Gallery in New York (2016). His work has also been featured in significant group exhibitions, including “Benefit for Ukraine” at Pierogi Gallery in Brooklyn (2022) and “Modern Menagerie” at the Portland Museum of Art (2016).
Blackwell’s art has been recognized with several awards, including the John Simon Guggenheim Memorial Foundation Fellowship in 2015 and a Purchase Award from the American Academy of Arts and Letters in 2006. His works are part of esteemed collections, such as the Portland Museum of Art and the Everson Museum of Art in Syracuse, New York.
Blackwell’s artistic practice is characterized by a vibrant exploration of color and form, often reflecting themes of identity, place, and the human experience. He states, “My work rises out of primary figurative painting. I’m interested in my own experiences going through life. I began as a landscape painter on Monhegan Island, Maine, and I’ve always been interested in a sense of place. Moving beyond plein air, I became very interested in Neo-Expressionism work from the 80s. German painters like Basquiat, Susan Rothenberg, and Eric Fischl showed new metaphoric states of being and experience. I was also very interested in Max Beckmann as a painter of mysterious narratives. So much a painter of his time.”
His exhibitions frequently showcase a blend of painting and sculpture, inviting viewers to engage with his work on multiple levels. The artist’s ability to convey complex narratives through visual language has earned him a dedicated following and critical acclaim. He adds, “My characters are mythological locals and people I conjure from paint. Often my work begins from just starting as an abstraction, then developing a vague narrative. The cars are forms that I view as absolutes but also are stand-ins for figures. I think they ask the question, ‘What next?’ My figures are quite often outsiders in America. Sometimes I’m sympathetic to their flights, but as the political climate has changed here, I’m more suspect of their ignorance and gullibility.”
Throughout his career, Blackwell has participated in various artist residencies, including the Vermont Studio School and the Triangle Arts Association in Brooklyn. These experiences have allowed him to collaborate with other artists and further develop his practice. Additionally, he has shared his insights as a guest lecturer at institutions such as the Pennsylvania Academy of Art and Brandeis University, contributing to the education of emerging artists.
Matt Blackwell’s contributions to contemporary art are significant, marked by a commitment to exploring the nuances of human experience through his work. With a robust exhibition history, numerous accolades, and a dedication to artistic education, Blackwell continues to inspire both audiences and fellow artists alike. His journey reflects the dynamic nature of contemporary art, where personal narrative and broader cultural themes intersect, creating a rich tapestry of expression. As he moves forward, Blackwell’s work promises to remain a vital part of the art landscape, inviting ongoing dialogue and reflection.
Photo credits: All photos ©Mike Garten
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