Renowned Peruvian artist Alberto Montoro Espinoza brings his captivating artistic vision to two significant platforms this season: his fifth solo exhibition “Universo en Movimiento” in Lima and participation in the international art fair Artweek Chile in Santiago. Through his works, Montoro masterfully connects the ancient traditions of Peru with contemporary abstraction, offering audiences a multi-layered visual experience.
Born in Lima in 1962, Rómulo Alberto Montoro Espinoza studied Fine Arts at Peru’s Escuela Nacional Superior Autónoma de Bellas Artes. Over his distinguished career of more than 40 years, he has mastered abstraction and explored a diverse range of techniques, participating in over twenty group exhibitions, six contemporary art fairs, and international showcases such as his presentation in Seville.
Montoro’s previous solo exhibitions, including “Abstracto Trascendente”, “Hilos del Infinito”, and “Texturas Colosales”, have established him as a leading figure in Peru’s contemporary art scene. His current show “Universo en Movimiento” marks a significant milestone in his exploration of movement, texture, and cultural memory.
In “Universo en Movimiento”, curated by Maricel Delgado and on display at the Galería de Arte Parque de la Amistad in Santiago de Surco, Lima, until December 20, Montoro showcases twenty carefully selected works produced over recent years. These pieces stand out for their depth, volume, and interplay of textures, where the cosmovision of ancient Peru meets modern techniques. By weaving together elements of the Andean textile tradition, spirituality, and nature, Montoro builds an artistic bridge between the past and the present.
His art transcends the limitations of two-dimensional painting. The incorporation of vibrant colors, tactile materials, and intricate layers creates a unique three-dimensional effect, pulling viewers into a dynamic space where every detail matters. Montoro’s works reflect movement—not just physical but also metaphorical—inviting viewers to explore connections between time, memory, and transcendence.
Curator Maricel Delgado describes Montoro’s work as an evolving universe. She highlights his use of textures and vibrant colors as tools for storytelling, evoking themes of transformation and interconnectedness. Each piece feels like a fragment of a larger infinite whole, where tradition and abstraction coexist seamlessly. Delgado notes, “The movement becomes the guiding thread, dissolving the boundaries between the visible and the invisible, time and eternity.”
In addition to his exhibition in Lima, Alberto Montoro’s work is featured at Artweek Chile, held at Santiago’s Parque de Los Reyes in the city’s historic center until December 2. Montoro’s selection was overseen by the Artweek Chile direction team, in collaboration with institutions such as the Embassy of Argentina and the Cultural Corporation of Santiago.
Christine Clément, Artweek Chile’s director, praises Montoro’s ability to unite memory, tradition, and modernity in his paintings. She states, “Montoro’s use of color and texture evokes the identity of Indigenous peoples while presenting a contemporary aesthetic that resonates perfectly with the 21st-century viewer.”
Through his dual presence in Lima and Santiago de Chile, Alberto Montoro reaffirms his role as a bridge between Peruvian cultural heritage and modern abstraction. His work resonates deeply with contemporary audiences, offering a profound exploration of texture, color, and the enduring beauty of the Andean world.
Photo credits: Melissa Torres is the author of the artist’s portraits and the photos of the works were taken by Croy Montoro.
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